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The arias of La traviata are instantly recognisable. Yet at its London premiere in 1856, it was denounced for bringing 'the poetry of the brothel' to the stage and unleashing uncomfortable truths on Victorian society. |
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Zaryadye Hall: A Diamond is Hatched
Playing with Gods
La Scala Theatre: the Temple of Wonders
Do Not Be Anxious — Be Fast And Be Quiet
N. S. Dombrovskij
The Death of a Composer: Rosa, a Horse Drama
Walter Hus, a Musical Journey
The Cunning Little Vixen
Behind the Curtain
Cavalleria rusticana
Einstein on the Beach: The Changing Image of Opera
Enrico Caruso: A Voice for the Ages
Dennis Cleveland
Sing Faster: The Stagehands' Ring Cycle
Anna Netrebko – ein Leben für die Oper
Fuoco sacro – Suche nach dem heiligen Feuer des Gesangs
Bartoli in Italy
Rêve Kakudji
The Magic Flute
Adolphe Appia Visionary of Invisible
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