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Australian-born filmmaker George Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and song-lines. In extrapolating the idea of movies as song-lines he examines feature films under the following categories: songs of the land; the bushman; the convicts; the bush-rangers; mates and larrikins; the digger; pommy bashing; the sheilas; gays; the wogs; blackfellas; and urban subversion. He then concludes that these films can be thought of as "Hymns that sing of Australia." |
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Men
Suzi Q
Red
way
Killer of Men
Captain Nulle
Kathleen Madigan: Madigan Again
Ava
Creating a Fairy Tale World: The Making of Shrek
Your Christmas or Mine 2
Red
40
Clockwork Bananas
Intermedio
Bathtub Shark Attack
Pirates Down the Street II: The Ninjas from Across
Psycho-Pass: Providence
Scooby-Doo: Agence toutou risques, vol. 2 : Le fantôme de la télé
Mega Predators of Oz
Running 62
Artist Unknown
Sydney: 'Pride of Australia'
Patricia Field: Fashion Visionary
The Making of a Legend: Gone with the Wind
Listening to the Space in my Room
Becoming Marilyn
Canberra Today and Tomorrow
Stewart & Mitchum: The Two Faces of America
François Truffaut: The Man Who Loved Cinema - The Wild Child
François Truffaut: The Man Who Loved Cinema - Love & Death
Room Full of Spoons
Sight & Sound: The Cinema of Walter Murch
Coogan's Runner
Hong Kong Stories
Prince of the City: The Real Story
Enfant Terrible: A Conversation with Patty McCormack
Shine a Light
El Father Plays Himself
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