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Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer) |
Violanta
Return to Rajapur
Transformers: Titans Return
Urotsukidōji III: Return of the Overfiend
The Return
Return of the Tooth Fairy
Sentiment
Prisoners of the Bobcat Ravine
The Control Group
Return to Waterloo
Nice People
Astonished
Hello! Project Tanjou 15th Anniversary Live 2013 Fuyu: Bravo!
Loreena McKennitt: No Journey's End
Jeepers Creepers
Cat A Wabb
Feral
Latif
The Birth of a Nation
Sunrise: A Song of Two Humans
The Science of Sleep
People on Sunday
Battleship Potemkin
Nanook of the North
October (Ten Days that Shook the World)
عقلي
Show Boat
Timothy's Quest
Le Divorce
The Kid
Blanche Fraise
Money Mad
The Star Rover
The Call of the Cumberlands
Vapors
Skyscrapers
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