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“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974) |
What's New Scooby-Doo? Vol. 4: Merry Scary Holiday
Six Pack
The United Monster Talent Agency
Gasping for Air
Call
München 1945
111, Fantaisie
Hanna-Barbera's 50th
SlugTerra: Return of the Elementals
The Senior Class
Who Sank The Bismarck
Eternally Yours
Young and Dangerous 3
Cursed Psychic Video XXX 12
Donald's Dog Laundry
D3: The Mighty Ducks
Shark Attack 2
Panda
Heroic Shootout
Echo
Quarante fontaines
Parisienne... Parisiennes
Le Temps des assassins
Café tabac
Dark Fears Behind the Door
The First Interview
Nannies
American Swing
Wonders of the Arctic
FFG: un retrato
Junichiro Hayashi: Creepy Images
Naive Cinema
Cavedigger
The Lady in Number 6: Music Saved My Life
The Cars in Your Life
Blood and Fire
"The Ornithopter Story: Fly, Hiyodori Tengu!"
Love the Earth
Hawaii
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