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Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology. |
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Avatar
Batman: The Long Halloween, Part Two
Avatar: Scene Deconstruction
Avatar: Creating the World of Pandora
The Botanical Avatar of Mademoiselle Flora
Medieval
Avatar Spirits
Capturing Avatar
A
Fight Back to School 2
Robotapocalypse
A Real Job
The Peasants
Sri Asih
Legion of Super-Heroes
Errors of the Human Body
Bandit
The Big 4
Guardians of the Galaxy
Rotting in the Sun
Laurel & Hardy: Their Lives and Magic
The Get Lost Losers
Playboy's Girls Next Door - Naughty and Nice
Playboy Wet & Wild: Slippery When Wet
The Good, The Bad, and the Beautiful
BBStory: An American Film Renaissance
Forgotten
This Year's Blonde
Sex, Maracas & Chihuahuas
Dear Ike: Lost Letters to a Teen Idol
A Walk
The Life and Deaths of Christopher Lee
Playboy: The Best of Wet & Wild
Bright Lights: Starring Carrie Fisher and Debbie Reynolds
Cinema Novo
Making 'Taxi Driver'
S Is for Stanley
Hollywood Singing and Dancing: A Musical History
Jean Renoir, le patron, 2e partie: La direction d'acteur
A. K.
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