|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Death Bed: The Bed That Eats
Night Train to Venice
Barbarella
Dead in a Week (Or Your Money Back)
Beautiful Thing
The Mudge Boy
The Man Who Loved Yngve
Permanent Record
Paradise Lost
The Grocer's Son
Eyes Wide Open
Blessed Boys
Screwed
Twelfth Night
Loudspeaker
In Bed with Santa
Body Parts
Spinners
The East
Sunset in My Hometown
Devotions
Beyond the Sands
Lolita
The Sisterhood of the Traveling Pants
My Brother Is an Only Child
Philadelphia
The Mighty
Kill the Poor
The Phantom of the Opera
The Opposite of Sex
A-man and the C-city
The Bee-Eaters
The Great Solitary
Groupers
The Sweet Hereafter
A Walk to Remember
Twinkle
The Way We Were
What Ever Happened to Baby Jane?
The Football Factory
|
