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Working, as in other films, with relatively simple materials and a contemplative stance, Ratté begins by exploring the flickering movement of light and its distortion as it is translated into the digital realm, using chromatic excess as a means to corrupt her sources' integrity. These somewhat inform images of natural events slowly morph into geometric grids with which moving human silhouettes are later juxtaposed before we are finally sent back to the abstract shapes that opened the film, now harmonised with these colour-looms and figurative forms. |
To Garbo and Lenin
The Kiosk
The Life of Death
The Extraordinary Journey of Lucius Dumb
Newtonian I
Newtonian II
L'oiseau
Bagatelles
La Spiritata
Fantasies
Kinesis
Collage
Alae
Metamorphosis
Galaxies
Mayan
Mirage
Metathesis
Innocence
Papillons |