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I'D RATHER BE IN PARIS depicts the filmmaker's visual concern with his physical environment by autobiographically exploring his alternatives: Chicago, San Francisco, and the editing room itself. These urban explorations tend to concentrate on high- speed assemblages of cityscape abstractions. |
Continuum
Main Krishna Hoon
Pero... ¿En qué país vivimos?
Six Hundred and Sixty-Six
The Secret Six
Kommt ein Vogel geflogen
Candela
Le Pirate
Log Drive
Katastrofa w Gibraltarze
30 Maidens and Pythagoras
Talk Dirty
The Great Warming
WWE Hell In A Cell 2010
The Next Station
Baby Brother
Victoria Must Go
The Worst of Faces of Death
Six Reasons Why |