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If cinema is the art of time, Linklater is one of its most thoughtful and engaged directors. Unlike other filmmakers identified as auteurs, Linklater’s distinction is not found on the surface of his films, in a visual style or signature shot, but rather in their DNA, as ongoing conversations with cinema, which is to say, with time itself. A visual essay produced by Sight and Sound. |
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I Used to Go Here
Blade Runner 2049
Parasite
Green Book
Alien: Covenant
No Hard Feelings
Knives Out
Train to Busan
Aquaman
The Long Kiss Goodnight
Suicide Squad
Passengers
The Lion King
Orphan
Now You See Me
Blackfish
The Shape of Water
Uncut Gems
(500) Days of Summer
The Age of Adaline
The Future Tense
sin título
Didactica Magna: Against the Grain
Fungus
Debra Paget, For Example
City of Signs
Celestial Night: a film on visibility
The Five Obstructions
Rastros que Deixamos
Obit
Visions of Europe
Dave Rubin's Battle of Ideas
Elemental
Les Équilibristes - Nico Papatakis, Jean Genet
Alleen op de Wereld
Wes Anderson: From Above
Hitchcock: The Early Years
Arrebatad@s
FFG: un retrato
Cinema Now
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