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A filmmaker’s self-portrait, asking hard questions of herself and of us. Invoking Aurore Clément as a kind of stand-in or proxy, a glamorous counterpart to Akerman who sports a drawn-on moustache. What is cinema for? Who is it for? If the Mosaic prohibition on making graven images includes film images, then where does that leave a Jewish filmmaker? |
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Sorry if I Want to Marry You
Suck Me Shakespeer 2
The Twilight Saga: Breaking Dawn - Part 2
Camp Rock
Twitches Too
High School Musical 3: Senior Year
Tracers
Scooby-Doo! Ghastly Goals
Dar
We Are What We Are
High School Musical 2
Windstorm 2
Pitch Perfect 2
Cadet Kelly
Letters to Juliet
War
Rent
Me and Marilyn
A Cinderella Story: If the Shoe Fits
Spooky Buddies
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