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Obāchan is Japanese. She left her native archipelago in 1941 to marry one of her compatriots, 17 years older, settled in Mexico. Through fragments of family films, manga and sequences that she has shot, Nicolasa Ruiz sculpts a complex and delicate memory landscape between the two shores of the Pacific. |
The Wall
FIFA: A Love Letter to Rwanda
Bodybuilding
Joe's Violin
Pacho's visual archive
Tapavica
Pains
Death Day
S'altra banda
Stuttgart Shanghai
We Work Again
Viva Tar!
Expiration
Workers Leaving the Lumière Factory
Seeding Fear
The Bowler
Little Belgium
Mr. Gardenia Jones
Our Lady of Loreto
Terminal City
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