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1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait. |
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The Hatters Jubilee Concert: Live at the Litsedei Theater, St. Petersburg
Group Portrait of Loneliness
Return
Polvotron 500
The Three Friends
Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo
Get Low
Tintin and the Picaros
Mush and Milk
Six Hundred and Sixty-Six
Underground Entertainment: The Movie
The Blacksmiths
1
Battles Without Honor and Humanity: Police Tactics
Return
Rat
Absolut
Non-Euclidean Geometry
A Sunny Morning
Contre nature
Walls
New Janko the Musician
Puleng
The Tale of How
Trigger Happy
Giant Steps
The Passengers of Ursa Major
Milk of Amnesia
Sientje
Sortie de Bain
Tuk-Tuk
A Short Love Story in Stop Motion
Curriculum vitae
Spin
The Dog Who Was a Cat Inside
Wind Along the Coast
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