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While dining out with friends, Sy suggests the difficulty of separating comedy from tragedy. To illustrate his point, he tells his guests two parallel stories about Melinda ; both versions have the same basic elements, but one take on her state of affairs leans toward levity, while the other is full of anguish. Each story involves Melinda coping with a recent divorce through substance abuse while beginning a romantic relationship with a close friend's husband. |
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Hollywood Ending
Anything Else
Love and Other Catastrophes
O Jardim Secreto de Mariana
The Neighbour's Wife and Mine
Gare du Nord
The Cloud Is Still There
Match Point
Radio Days
Mighty Aphrodite
Snow Cake
Frankenstein Meets the Wolf Man
Three to Tango
Gridlocked
Coogan's Bluff
A Night at the Opera
Broadway Danny Rose
So Close
And So It Goes
Faces in the Crowd
The Penthouse
He Was a Quiet Man
Karniggels
All About My Mother
Mr. & Mrs. Smith
In the Mood for Love
Toy Story
Tsotsi
Summer House
Monster-in-Law
Maître Pygmalion
My Best Friend
Love Building
Lenin: The Train
Visitor Q
The Heart Is a Dark Forest
It's a Jungle Out There
The Trap
Ψυχραιμία Ναπολέων!
Hope Gap
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