|
||||||
|
In the late 1950's, Jasper Johns emerged as force in the American art scene. His richly worked paintings of maps, flags, and targets led the artistic community away from Abstract Expressionism toward a new emphasis on the concrete |
||||||
La Victoire de Samothrace, une icône dévoilée
Bob Ross: The Happy Painter
Derren Brown: The Great Art Robbery
Trop de Picasso tue-t-il Picasso ?
The Living Stone
Eskimo Artist: Kenojuak
Secrets of the Ghent Altarpiece
Portrait of Imogen
Crystal Christ I: La Pasarela de la Muerte
Jack Kirby: Story Teller
Jim Dine: A Self-Portrait on the Walls
They're All Painted If You Actually Look
Earth Hum
15 x 15 x 5 (minisalon 1984)
The Michelangelo Code: Lost Secrets of the Sistine Chapel
Andrew Weyth, The Helga Pictures
A Body Like Mine
Make
The Witch of Kings Cross
Monsieur Mayonnaise
|
