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While he was alive, Amos Guttman remained a red flag for the notoriously conservative Israeli film establishment. A Romanian migrant, he, never truly found his place in his new home. He was gay and made the nation's first movies on the subject. He was an artist who wanted to make films not for the masses but for the few. Conversely, he wanted to make movies that connected with the rest of the world and not only Israel – works that maybe Derek Jarman or Pedro Almodóvar could watch by chance and feel understood. |
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Red
Live or Die in La Honda
Looking for Manchester
Grand Hotel
Un Caso Excepcional
FILM
Good Enough Parents
Tadpole and the Whale
Elite Squad: The Enemy Within
Cap Tourmente
Filthy Gorgeous: The Bob Guccione Story
Hypnosis Display
King of the Mardi Gras
Ashchorjyo Prodeep
No Room for Gerold
Two Wondrous Tigers
Australia, Existence in the Extremes
Sugar Rush
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