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Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions |
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Nightbirds
GCW: Fight Club Houston
If the Weather Permits
Nature Cat: The Return of Bad Dog Bart
24th Mountain Infantry: Boxing Lesson
Flightless Bird & Merry-Go-Round
Smyrna: The Destruction of a Cosmopolitan City - 1900-1922
Why Do They Hate Us?
Don't Give a Fox
Underworld's Flower
Sin Memoria
Smart Money
Baby Einstein: Baby Van Gogh - World of Colors
Talking Heads
Mickey Hart
Mag-Toning Muna Tayo
Ο Τσιτσιολίνος
Morcheeba: From Brixton to Beijing
Karger
Travelling
Open Hearts
Italian for Beginners
The Secret Life of Words
The Piano
Reply with Photo
Lulu in the Nude
Ovid and the Art of Love
Cherry Blossoms & Demons
Little Miss Sunshine
Sisters
Charly
Divine Secrets of the Ya-Ya Sisterhood
Little Women
Clueless
Seven Women, Seven Sins
The Morning After
My First Summer
Stick It
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