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Once, after being interrogated at the border, I saw a long fence through the car window. It was tinkling in the wind, overgrown with ruderal plants. That charged image was a manifestation not only of oppression but of resistance and desire. ||||||||/__ | is a lengthy passage that captures the liminal conditions of the exiled body. In emigration and exile, determination is juxtaposed with vulnerability: one must constantly break down barriers, including those of one's own body. The film employs various visual and sound techniques and performative gestures that sensitize surfaces, boundaries, media, and spaces. |
Collin
Saitane
The Collaborator
The Horseman on the Roof
The Prince’s Voyage
Ivan the Terrible, Part I
Kudzu
Fearless
The Warrior
De Gaulle, le géant aux pieds d'argile
Exiles
Shoot Me
Before Night Falls
The Assassination of Trotsky
Missing in America
Late Anthropocene
Captain Blood
Europe by Bidon
Dialogues of the Exiles
The Mirrored Message
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