|
|||||||||||||||
|
In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze. |
|||||||||||||||
8½
Marcello Mastroianni, the Ideal Italian
Once Upon a Time... in Hollywood
The Suicide Squad
Avengers: Age of Ultron
Up
Fantastic Beasts and Where to Find Them
Aquaman
Blade Runner 2049
Deadpool
Knives Out
Coco
Enola Holmes
Cruella
Overlord
The Shawshank Redemption
Avengers: Endgame
Guardians of the Galaxy Vol. 2
Logan
Mulan
Patsy Mink: Ahead of the Majority
Around the Village Green
Repare Bem
Franz Schubert's Last Three Piano Sonatas
My Millennial Life
Ancestral Voices
The Seasons in Quincy: Four Portraits of John Berger
Dr. Feelgood
Political Animals
The Breidjing Camp
Momentum
Le plafond de verre
Forever
Down There
Eyes on Russia: From the Caucasus to Moscow
Passing Quietly Through
Memória, identidades e ancestralidade como possibilidade do estudo de história em sala de aula
Olympia: Part One – Festival of the Nations
Olympia: Part Two – Festival of Beauty
Germans & Jews - Eine neue Perspektive
|
