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In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze. |
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8½
Marcello Mastroianni, the Ideal Italian
The Shawshank Redemption
Back to the Future Part II
The Godfather
The Thing
The Dark Knight
Back to the Future
Brazil
Joker
Parasite
One Flew Over the Cuckoo's Nest
Beetlejuice Beetlejuice
Psycho
Forrest Gump
Superbad
Back to the Future Part III
Pulp Fiction
The Untouchables
The Age of Adaline
¡Yo soy Boricua, pa' que tú lo sepas!
The Martha Mitchell Effect
Immigrants' Memories
Oh! Man
Mother Tongue
Growing Girls
Blockade
Deepa Mehta, in Profile
Along the Coast
La familia Figueroa: una dinastía musical
A Short History of the Highrise
Person
Twin Sisters
She Had Her Gun All Ready
Karama Has No Walls
Proudly She Marches
Art As A Voice
The Baulkham Hills African Ladies Troupe
The Man who Discovered Egypt
Microcosmos
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