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In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze. |
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8½
Marcello Mastroianni, the Ideal Italian
Carnage
Kill Bill: Vol. 1
Hush
Knives Out
Beetlejuice
A Clockwork Orange
The Lobster
Hereditary
Psycho
Castle in the Sky
Back to the Future
It Follows
Parasite
Buffalo '66
Midsommar
Ex Machina
Eternal Sunshine of the Spotless Mind
Insidious
The Competitors: Russia's Child Prodigies
La familia Figueroa: una dinastía musical
First Edition
Forest of the Dancing Spirits
Margaret Mee and the Moonflower
Meet the Donors: Does Money Talk?
Mona: tesoro del Caribe
Skyscraper
13th
Caste criminelle
Comrade, Where Are You Today?
A Life Without Pain
Blindsight
Qué tal Pascual
One Day Pina Asked...
The Cats of Mirikitani
Fieldwork Footage
Generation Startup
Karama Has No Walls
30 Minutes, Mister Plummer
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