|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
The New Monsters
Late Autumn
Ghost of Love
Oppenheimer
Joker
Beetlejuice Beetlejuice
Salem's Lot
The King's Daughter
Godzilla vs. Destoroyah
Prince of Darkness
Parasite
Past Lives
The Shawshank Redemption
Back to the Future
Knives Out
Spider-Man: Across the Spider-Verse
The Zone of Interest
Barbarian
RoboCop
Return
|
