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In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view? |
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Goodbye CP
BTS Permission to Dance On Stage - Seoul: Live Viewing
Anacondas: Trail of Blood
Hello
D3: The Mighty Ducks
Barbie: Princess Charm School
LEGO Scooby-Doo! Knight Time Terror
Avatar: Creating the World of Pandora
Iron Man 2
Red
Battle Royale
Saint Seiya: Warriors of the Final Holy Battle
Free Guy
Scooby-Doo! Frankencreepy
A Christmas Prince: The Royal Wedding
Rurouni Kenshin Part III: The Legend Ends
Saint Seiya: The Heated Battle of the Gods
An American Werewolf in Paris
Miss Peregrine's Home for Peculiar Children
The Shortcut
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