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In 1972, Miyuki tells her ex-lover Kazuo that she's going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women's commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view? |
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Aaliyah: The Princess of R&B
Dirt
Goodbye CP
Critters 3
Mortal Kombat
Problem Child 2
A Nightmare on Elm Street
Re:Zero - Starting Life in Another World The Frozen Bond
Trinity Is Still My Name
Catch Me If You Can
Jaws
The Thing
Star Wars
Godzilla vs. Kong
1917
Back to the Future Part III
Oppenheimer
Marriage Story
Rebel Ridge
Terrifier 3
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