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Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters or numbers. This becomes clear right away as the title letters are intercut with a flurry of fish swimming past the frame lines, which are made all the more literal through the associative chain established by a snippet of Schubert’s Trout Quintet heard on the soundtrack, along with footsteps – which continue over a profusion of other shapes, colors, and objects, including the title letters again. -- Jonathan Rosenbaum |
John
The Twilight Saga: Eclipse
Dragon Ball Z: The Tree of Might
Gamera 3: Revenge of Iris
Dragon Ball Z: Broly - Second Coming
Dragon Ball Z: Dead Zone
The Girl Who Played with Fire
Maine Pyaar Kyun Kiya?
In a Better World
Dragon Ball Z: Bio-Broly
Insane Fight Club
The Ring Two
Jailhouse Rock
Freddy's Dead: The Final Nightmare
The Land Before Time VI: The Secret of Saurus Rock
Eeeny, Meeny, Miney, Moe
Dar
A Nightmare on Elm Street: The Dream Child
Main Man
Revenge of the Nerds II: Nerds in Paradise
The Man Who Waited
The Amazing Little Whale
One Day I Came Home
The Fox With The Rolling Pin
Carabosse
Día de los muertos
Geist
Expectations
Petrichor
Prehistoric Beast
The Flight
Nube
The World Within
Bibi
Chemin faisant
Almost Home
Superman 75
Breast Talk
Mosaic
I Am Tom Moody
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