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Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema |
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Scooby-Doo Safari, So Goodi!
Re/cycle
Eating Out: The Open Weekend
Nude
Kill Shot
Star
Hallo, Taxi
September
The Vanishing Lady
French Fried Vacations 3: Friends Forever
Scooby-Doo: Mystery in Motion
Fight!! Spirit of the Sword
Twin Peaks: The Missing Pieces
Do-Re-Me
F for Fake
Paiyaa
Spring
Re-Births
Android Re-Enactment
NO STEP
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