|
|||
|
In the first action he filmed, 6/64 Mama und Papa, Kren’s editing leads to many interlocking continuous shots; central takes recur like a leitmotif, circular motion and networking can be observed throughout the film. Kren painstakingly weaves the fury in front of his camera lens into dense geometrical figures. Shot/countershot sequences alternate, lumping back and forth between single (!) frames, they turn the Actionist turmoil into ornaments, rigid geometrical patterns, the equivalent in time to what Mondrian used to distill on canvas in space. (Peter Tscherkassky) |
|||
Saw VI
Berserk: The Golden Age Arc II - The Battle for Doldrey
Transformers: Revenge of the Fallen
Rush Hour 3
Step Up Revolution
The Evil Marriage
Harry Potter and the Goblet of Fire
The Watermill Princess 2
Saw: Rebirth
Saw V
White House Down
Justice League: Throne of Atlantis
The Invincible Iron Man
Spider-Man 3
Six Hours: Surviving Typhoon Yolanda
xXx: Return of Xander Cage
The Librarian: The Curse of the Judas Chalice
Snitch
Death Note: The Last Name
The Last Stand
|
