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Wyborny’s latest flicker film concentrates on factories, industrial wastelands, waterways, cityscapes, and the bits in between, and has an uncanny emotional resonance. It is “serene, in the manner of ants”—to quote the title of the second section—but it is also elegiac and melancholy. Like two other old cranks (Godard and Straub), the director stays true to ideas about filmic composition gestated over many years and thereby provides a glimpse of a utopian cinema. |
Doña Francisquita
Laawaris
The Wrath of Silence
Vamos por la parejita
Πράκτορες 005 Εναντίον Χρυσοπόδαρου
A Portrait on the Background of Mountains
Gandharvam
Neurosi5
Mother
The Rites of May
One Day an Airplane
Fade Away
My Life in China
Golden Gloves
La fuga del penal de Apatzingán
Lost Records
The Last Blow Job
Demagogue
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