|
|||||||||||||||||||||||||||||||||||||||
|
Guy, film critic of the Cahiers du Cinéma and terminal cinephile, plans to write about the Vittorio Cottafavi retrospective at the Alcazar, his local cinema. One day he notices that Jeanne, film critic of Postif, the rival magazine, seems to be following him. He is intrigued-- is she interested in him, or planning to poach his praise for Cottafavi in her own article? |
|||||||||||||||||||||||||||||||||||||||
My Night at Maud's
WALL·E
Parasite
A Quiet Place
Prisoners
Oppenheimer
Titanic
Interstellar
Fight Club
Taxi Driver
The Lobster
Joker
Barbie
Baby Driver
The Banshees of Inisherin
The Hunger Games
The Matrix
Aquaman
mid90s
Mission: Impossible - Dead Reckoning Part One
The Real Interactive
A Love Letter to Cinema
Play It Again, Sam
Heckler
A Slight Case of Murder
The Film Critic
Alright
Apocalypse Runner
Fright Show
Screening Party
Five Directors On The Battle of Algiers
The Critic
Life Itself
Criticized
Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
Chup
The Living End
David Stratton: A Cinematic Life
Alfonso Sánchez
Charlotte
|
