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Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one. |
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Sylvie's Love
Limelight
12.12: The Day
The Wise Guys
Friends Jokes
I Am Cuba
The Gendarme Gets Married
The League of Gentlemen
Ludwig
Delusions of Grandeur
Hammamet
Property Is No Longer a Theft
French Tech
Wild at Heart
Godzilla vs. Mothra
L'Âge d'or
Mothra vs. Godzilla
Armageddon Time
The War Wagon
The Best Years of Our Lives
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