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In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive |
Scooby-Doo! and the Pirates
Scooby-Doo! and the Spooky Scarecrow
J. R. R. Tolkien's The Hobbit
Inazuma Eleven Go vs. Danball Senki W
Firewall
Leprechaun 2
Sanjay's Super Team
Scooby Doo and The Zombies
The Party 2
Superfantozzi
Zero Woman R
Darkman II: The Return of Durant
Turbo
Ninja Terminator
Divorce French Style
Crime Busters
Achilles and the Tortoise
Bambi II
Stella Dallas
Snow White and the Seven Dwarfs
The Tenant's Racket
The Ride to the Abyss
Connecting Flights
The Sensational Cat-Man
The Puppet's Dream
Ozymandias
OCCHIO
Bug Therapy
Sun Scream
Last Time in Clerkenwell
Threnody
We Believe in Happy Endings
Interstellar Stella
Homebird
Time Machines
The Drive Zoo
Wohlstandskühe
Log Boy
Contretemps
A Clockwork Cock |