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[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. |
A Nightmare
Jérusalem : porte de Jaffa, côté Est
Bains en mer
In Single File on Glaciers With Snowshoes, l. Montée
Boat Leaving the Port
Gulliver Returns
The Return of the King
Return of the Living Dead Part II
Return to Horror Hotel
Return to Halloweentown
Return of the Seven
Return of the Fly
Trancers II: The Return of Jack Deth
Lupin the Third: Operation: Return the Treasure
Return to Rajapur
The Return of the Pink Panther
Trail of the Pink Panther
Return to the 36th Chamber
1920: Evil Returns
The Return
Greta Garbo: The Temptress and the Clown
Laurel & Hardy: Their Lives and Magic
Silent Shakespeare
How Animated Cartoons Are Made
Crabs and Shrimp
Weaving Women
Mark Twain (Samuel Clemens)
Blue Planet
Fighter Pilot: Operation Red Flag
Antarctica: An Adventure of a Different Nature
Bears
Alaska: Spirit of the Wild
Cosmic Voyage
Lumiere's First Picture Shows
One Second in Montreal
New York Portrait, Chapter II
Visions of Lourdes
Bugs!
Hurricane on the Bayou
India: Kingdom of the Tiger
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