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Using bluescreen video techniques, Terayama playfully—and with a silent film theatricality—posits a series of postmodern vignettes featuring realities-within-realities as his protagonist attempts some kind of relationship with a nude woman on the screen-within-the-screen. In his struggles to “free” her, he exposes the absurd flimsiness, deceptiveness and mutability of both the cinema experience and our human dimension. |
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Forenoon of a Faun
Pangaea
Get a Horse!
Weatherman '69
I, Apostate
The Man's Name is Spade
Melting
Acceleration
A Fugue
Videograms
My Friend Ángel
Notes on the Circus
She Had Her Gun All Ready
Bloodlust
The Shoplifters
Brain Damage
Fake Fiction
Neverwhere
Something New to Die for
Persian Series #4 |