|
|||||||||
|
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene. |
|||||||||
L'Impératrice mère et la grande-duchesse Eugénie en carrosse
Re-Cycling
The Villain
Chicken with Plums
Wayne's World 2
By the Sea
Terms and Conditions May Apply
Miracle at St. Anna
Return of the Killer Tomatoes!
Re-Cut
Flatfoot in Africa
Kathleen Madigan: Madigan Again
Bad Boy Bubby
Othello
Lovers of the Arctic Circle
Fight Club (Russian version)
The Lion Guard: Return of the Roar
Scooby-Doo Safari, So Goodi!
The Human Condition II: Road to Eternity
Lord
The Comedian
After We Fell
After Ever Happy
Big Underground Ball
Lord of the Rings: The Hunt for Gollum
American Psycho
The Love Charm
Submission
Kiss the Girls
The Nameless
Apt Pupil
EverAfter
Vampire Hunter D
The Bone Collector
Man on Fire
Chopper
Sister
The Catholic School
Shutter Island
Runaway Jury
|
