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Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera. |
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Audrie & Daisy
A New Girl in Paris!
K.O.
XX
The Decameron
Wishmaster 4: The Prophecy Fulfilled
Wishmaster 3: Beyond the Gates of Hell
Feeling Through
Good Manners
The Way Back
Sick of Myself
Hiroshima Mon Amour
Close
Lake Placid 2
Shadows and Fog
Welcome to L.A.
The Seventh Continent
Chungking Express
When a Stranger Calls
The Damned
Railway Station
The Arrival of a Train at La Ciotat
Berlin: Symphony of a Great City
City of Wax
Popular Science J-7-1
Nanook of the North
The New Apartment
Generation Iron 5: Persia
Laurel & Hardy: Their Lives and Magic
Mystery of the Maya
Lost Worlds: Life in the Balance
The Dawn of Sound: How Movies Learned to Talk
Mystery of the Nile
NASCAR: The IMAX Experience
Volcanoes of the Deep Sea
Bears
Chronos
The Celebration of Saint George
Grand Canyon Adventure: River at Risk
Mission to Mir |