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Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology. |
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Watermelon: A Cautionary Tale
Spider-Man: Across the Spider-Verse
The King's Daughter
Oppenheimer
Kung Fu Panda 4
The Menu
Free Guy
Once Upon a Time... in Hollywood
Black Adam
Salem's Lot
Violent Night
Glass Onion: A Knives Out Mystery
The Avengers
Civil War
Turning Red
Avatar
Resident Evil: Welcome to Raccoon City
Arrival
War
Knives Out
Will Smith: The Prince of Hollywood
Cocaine: History Between the Lines
Love & Loyalty: The Making of 'The Remains of the Day'
John Travolta, le miraculé d'Hollywood
It Came from Hollywood
Yul Brynner, the Magnificent
The Untameable Kirk Douglas
Blood of 1000 Virgins
Auge in Auge - Eine deutsche Filmgeschichte
Crush in Jaipur
40 Days to Learn Film
Laurel & Hardy: Their Lives and Magic
Terror Studios
El precio de la risa
Jubilee: A Time Less Golden
Boundless
Bernardo Bertolucci: The Italian Traveler
Notes from Under the Volcano
Chaplin Today: 'The Kid'
The Dreamed Films
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