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Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things. |
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Re-Kill
How I Unleashed World War II, Part III: Among Friends
Zach Galifianakis: Live at the Purple Onion
Q & A
Clockwork Bananas
My Friends Act II
The Nutty Professor
Beverly Hills Cop II
Barbie Presents: Thumbelina
1
Return to Innocence
The Return of Don Camillo
Hellraiser: Hellseeker
Hamburger Hill
Re-Elected
Maniac Cop
Maradona by Kusturica
The 7th Voyage of Sinbad
Returner
Notes on the Circus
Expiration
Spectrum
Qu'est-ce que c'est?
Threshold
EXPRMNTL
Spectres of Shortwave
Mamagüela
Piz Regolith
Animals Under Anaesthesia: Speculations on the Dreamlife of Beasts
Untitled (Pink Dot)
Shoot Me
Something New to Die for
Bufo Alvarius – The Underground Secret
Carnet de identidad
The Day When...
Slaughterhouse
I, Apostate
Thoughts and Visions of a Severed Head
Genova Genova |
