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Sixty one-minute shots with no camera movement. This tension between painterly and cinematic space is not only experienced as an intellectual contrast but is also felt as a dialectic between permanence and impermanence. |
The Snowman
Night Hunter
Sex
Urotsukidōji III: Return of the Overfiend
Main Krishna Hoon
Cine Gibi 8: ...Tá Brincando?
UFC 21: Return Of The Champions
Man
Return to Rajapur
Universal Soldier: The Return
Return to Horror Hotel
Brent Weinbach: Appealing to the Mainstream
Maine-Ocean Express
Gulliver Returns
Return To Earth
Liberation: Direction of the Main Blow
Chizhik-Pyzhik Returns
Main Hoon Na
Naai Sekar Returns
The Return
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