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In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo. |
Furiosa: A Mad Max Saga
Sayen: Desert Road
V
The Misfits
Knox Goes Away
Rumble
Bad Boys: Ride or Die
Scrooge: A Christmas Carol
365 Days: This Day
Hello, Goodbye, and Everything in Between
The Fall Guy
Gold
Vendetta
One Ranger
When Evil Lurks
Terror on the Prairie
Detective Conan: Black Iron Submarine
The Hating Game
Despicable Me 4
Ape vs Mecha Ape
The Banker's Daughter
Lyman H. Howe's Famous Ride on a Runaway Train
The Triplets of Belleville
How Animated Cartoons Are Made
The Vanished World of Gloves
The Adventures of Prince Achmed
Koko in Toyland
Clown and His Dogs
Departure of Love
waterfront
Yoshichiro Salutes
The Merry Circus
C. K. střelnice
Bloody Date
Out of the Inkwell
Doctor Dolittle and His Animals
Photodiary '87
UNICORN
Mr. Plastimime
Les Boys |