|
|||
|
The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo |
|||
Pokémon 4Ever
Camping
Dragon Ball Z: The Return of Cooler
Dragon Ball Z: The World's Strongest
#realityhigh
Taxi
Taken 2
Backtrack
The Back-Up Plan
Sun in Buckets
Serial Teachers 2
Sister Act 2: Back in the Habit
Nine Lives
The Night House
Sissi: The Young Empress
The Messengers
Dragon Ball Z: The Tree of Might
He Even Has Your Eyes
Another Cinderella Story
The Gods Must Be Crazy II
New Boobs
Gowanus Canal
The Strange Case of Sherlock Holmes & Arthur Conan Doyle
Olympia: Part Two – Festival of Beauty
Tender Fictions
Stripped
Buitenkampers
The Galapagos Affair: Satan Came to Eden
The Infamous Chalk Girl
All This Panic
The Prison in Twelve Landscapes
Die russische Mafia
Pranks!
InRealLife
Monks - The Transatlantic Feedback
Through a Blue Lens
Documented
For Love or Money
Design Is One
The Fence (La Barda)
|
