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'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982. |
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Noryang: Deadly Sea
A
Mater the Greater
In a Violent Nature
Princess Cursed in Time: Alchemist's Quest
Breaking and Re-entering
The Grifters
Wanted Man
Sans Soleil
House of Ga'a
Out of the Past
The Crying Game
Maharaja
Jim's Story
Dorchester's Revenge: The Return of Crinoline Head
Ace in the Hole
The Beast
Return of the Seven
Demon Slayer: Kimetsu no Yaiba -To the Hashira Training-
Mobile Suit SD Gundam Mk I
Kissed
Open Window
Sleepover LA
One Foot Under
The Devil's Arithmetic
Dear, Dearest, Beloved, Unique...
I See the Sun
When Almonds Blossomed
Some Interviews on Personal Matters
The Little Incident
Mê Thao: Once Upon a Time
Breathe
Insecure
Gett: The Trial of Viviane Amsalem
Atlanta
Pentuphouse
Nest of Tens
Unicorn Store
Virtual Love
The Sex Files: Digital Sex
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