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'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982. |
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Vacanze ai Caraibi - Il film di Natale
Bridget Jones: The Edge of Reason
Home Makeover
One Kiss
Wild Chicks in Love
Orientation Day
The Three Kings
The New Adventures of Aladdin
Frozen
Total Eclipse
American Pie Presents: Band Camp
Body Guards
Ci hai rotto papà
Blind Date
So Undercover
Seven Days: Monday - Thursday
The Swan Princess: The Mystery of the Enchanted Kingdom
We Accept Miracles
Dalida
My Friends Act III
Terrarium Locker Room
Lulu in the Nude
Claude
Flowers in the Attic
Wenn Menschen reif zur Liebe werden
Little Box of Sweets
Selma
Losing Ground
Look at Me
Montana
Die Mutigen 56 - Deutschlands längster Streik
Beggars and Noblemen
Lost and Found
Sticky Notes
The Color of Rain
I Will Always Love You Conny
A Lucky Man
Concerto in Darb Saada
Starving in Suburbia
Yevdokiya
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