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In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis. |
Ball Passing Through a Soap Bubble
Jamestown Baloos
Pierrot le Fou
Venus in Fur
The Purple Rose of Cairo
Gozu
The Punisher
Sunrise: A Song of Two Humans
Throne of Blood
Nashville
They'll Love Me When I'm Dead
Loveless
The Insult
The Salt of the Earth
Faces
Simon of the Desert
Revenge of the Pink Panther
Summer Interlude
Dolls
Quadrophenia
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