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In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis. |
Vincent
The Tale of the White Serpent
The Lobster
Joker
The Shawshank Redemption
10 Things I Hate About You
Spirited Away
Murder on the Orient Express
Arrival
Mad Max: Fury Road
What Happened to Monday
American Beauty
Beetlejuice
Prisoners
Oppenheimer
Fargo
Mission: Impossible - Rogue Nation
The Wolf of Wall Street
Once Upon a Time... in Hollywood
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