|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Glengarry Glen Ross
Cool Hand Luke
Tomorrow Never Dies
On Her Majesty's Secret Service
Hunger
Frozen River
Miller's Crossing
The Apartment
Irreversible
Four Weddings and a Funeral
Halloween 5: The Revenge of Michael Myers
Jackie Brown
Young Guns
Scarface
Das Boot
Step Brothers
My Mother's Castle
Inland Empire
Black Cat, White Cat
Would I Lie to You? 2
O. Henry's Full House
Fear Paris
La prima volta
Three Times
Everything You Always Wanted to Know About Sex *But Were Afraid to Ask
History of the World: Part I
21st Century Girl
Fukuyama Theater: Summer Secret
Bad Trip
Tbilisi, I Love You
Boys On Film 1: Hard Love
Boys On Film 19: No Ordinary Boy
Paris Je T'aime
Camellia
Four Rooms
Prism
Tales of Erotica
Colpi di fortuna
Laughter and Grief by the White Sea
Monster Killers
|
