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Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three best working artists in modern Europe). Again hard places played against drifting sounds from unseen sites beyond the image; the images and sounds, repeated, become inflections of each other. But this time there are historical inflections; Rousseau's film, like Straub's, takes place in a sort of meta-history as characters and ancient sites each become products of outside light and shadow. |
The Mischievous Boy
Scooby-Doo! Return to Zombie Island
Endings, Beginnings
xXx: Return of Xander Cage
Rate Your Date
Escape Plan: The Extractors
DC Showcase: Catwoman
Batman vs. Robin
Legends of Oz: Dorothy's Return
Camping 3
The House
Meus 15 Anos
Spider-Man: Homecoming
Fifty Shades of Grey
Reign of the Supermen
Rock It!
Halloweentown High
The Wizards Return: Alex vs. Alex
Bill Burr Presents: Friends Who Kill
Justice League: Throne of Atlantis
The Conclave and Election of Pope Pius XII
Syndrome K
Mirage
I Ramones
Building the Ancient City: Rome
Io sono nata viaggiando
Rome, the Eternal City
The Roman Empire in the First Century
La via della Conciliazione
The Vatican Museums
Pompeii and the Roman Villa
Rromani Soul
Fellinopolis
The Human Factor 2014
The World of Dario Argento 3: Museum of Horrors
Desolate Rome
Revelation - The Bride, The Beast & Babylon
Sophia Loren in Rome
Notes on a True Story
Caligula with Mary Beard
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