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"The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this." - Takashi Nakajima |
Sfaira 1985 -1895
Яблоки
Monogamie für Anfänger
The Mysterious Dr. Fu Manchu
Street Fighting Men
Flower, Storm and Gangster
Money. Murder. Zurich.: Borchert and the last hope
My little daddy
Long Shadows
Hostel Returns
Step on Silence
The Warwick Rowers - Brokeback Boathouse
Why Can't We Be a Family Again?
Young Bodies Heal Quickly
Ferien vom Ich
Bomba and the Jungle Girl
Duck Flies Coop
The Imposters
The Front Path
Black and White Trypps Number Two
Black and White Trypps Number Four
Trypps #5 (Dubai)
Decasia: The State of Decay
House
Perfect Day
Arquivos Kino-Pop
BLACKland
GIRLZ NIGHT
I Imagine a Text that Changes
Lapses, Regrets and Qualms
The Shining: Forwards and Backwards
Late Night Talks with Mother
Man with a Movie Camera
Equilíbrio e Graça
The Adventures of *
In My Country Men Have Breasts
Closed Vagina
Day of the Organ Grinders
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