|
||||||||||||||||||||||||||||||||||||||||||||||||
|
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival) |
||||||||||||||||||||||||||||||||||||||||||||||||
Stigma
Marty Feldman: Six Degrees of Separation
Retando A La Muerte
Film
With a Right to Kill
Qwerty
Hero
Fem På Flugt
The Brussels Business
Perdas, Danos & Piadas Melancólicas
A Couple of Regular Fellas 2
Siempre la duda
Queen: A Magic Year
Aurora's Dream
Cabbages and Kings
After Leaving
Underground Entertainment: The Movie
Portrait of Four Beauties
White
To Live
Harold and Maude
Interim
Inner Demons
Sugar
Am I a Psycho?
Where the Penguins Fly
She and Her Cat: Everything Flows
Monangambeee
Color Your Hurt
Beyond the Sea
Stray
American Beauty
Fellows
Fatal Lane
The Unseen River
Remembrance
What the Brides Do
|