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Paulo Rocha catches up with his “beloved subject” in Porto, where he made Douro, Faina Fluvial in 1929, and where today Oliveira reminisces about the figure of his father, his first experience of cinema as an actor, his past as a racing driver, his first technical experiences… |
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Blood of 1000 Virgins
Laurel & Hardy: Their Lives and Magic
Larisa
Pop féminisme : des militantes aux icônes pop
Stallone, profession héros
Serbia, Year Zero
Two, Three Times Branco
Made in Hollywood
The Dinosaur and the Baby
All the Colors of Giallo
Mifune: The Last Samurai
Blue Velvet Revisited
The Blackwell Ghost 5
Caligari: When Horror Came to Cinema
To Make a Comedy Is No Fun
American Movie
Kino Wien Film
Billy Yeager The Ineffable Enigma
Comrades in Dreams
Katharine Hepburn: The Great Kate
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