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In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual. |
Manchester by the Sea
Once Upon a Time... in Hollywood
Tenet
Joker
Interstellar
Oppenheimer
Halloween
Avatar: The Way of Water
Gone Girl
Parasite
Green Book
Deadpool & Wolverine
Justice League
Passengers
Enola Holmes
Barbie
La La Land
Greyhound
Dunkirk
No Country for Old Men
Ken San
The Cardboard Bernini
Beiras, Vivir2Veces
Les désastres de la guerre
Women of the Ghetto Bathing
Ver a Hilda Vera
Petit Suisse
Chuck Berry: The Original King of Rock 'n' Roll
The Florence Foster Jenkins Story
The Swiss Machine
Geoff McFetridge: Drawing a Life
Crumb
Josephine Baker: The Story of an Awakening
Whales: An Unforgettable Journey
The Communist
In the Eyes
Cherry Valentine: Gypsy Queen and Proud
Inside the Mind of Agatha Christie
The Look of Silence
I Am a Dancer
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