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Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds) |
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Inside Asda: Bigger, Better, Cheaper?
Son of Godzilla
The Young and the Damned
The Worst Person in the World
Friends Jokes
Killer's Kiss
An Autumn Afternoon
The Thing from Another World
Law of Desire
The Straight Story
The Beyond
Winter Light
A Streetcar Named Desire
Okay! (The ASD Band Film)
Pusher II
The Fly II
Sonatine
Once Upon a Time in America
Mishima: A Life in Four Chapters
David Blaine: Ascension
Through the Eyes of Forrest Gump
Our Cinema
What a Peach Is
On the Red Carpet Presents: The Banshees of Inisherin
Charles Manson, The Church of Satan, The Universal Order & The Process Church of Final Judgment
Mickey Reece’s Belle Île
Something Walks in the Woods
Mandrake the Magician
Näin tehtiin Poissa
All the Colors of Giallo
Not Your Average Joe
Killer Instincts: Richard Widmark and Ida Lupino at Twentieth Century Fox
Drama Out of a Crisis: A Celebration of Play for Today
From 9 to 5
Late on Set
Luchino Visconti
ADM: DOP
The Five Obstructions
Descendants
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