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Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood’s low-tech sound artists survive as digital technology consumes modern movie-making? |
Infernal Affairs III
Saw VI
Python 2
Balto III: Wings of Change
Balto II: Wolf Quest
The Chronicles of Riddick: Dark Fury
Saw IV
Alvin and the Chipmunks: The Squeakquel
Ice Age: The Meltdown
WALL·E
Saw: Rebirth
Saw V
The Rescuers Down Under
The Incredible Burt Wonderstone
Stuart Little
Saw 3D
The Jungle Book
Battleship
Star Trek Into Darkness
The Swan Princess: The Mystery of the Enchanted Kingdom
Making 'Taxi Driver'
The American Night of Dr. Lucio Fulci
Bienvenido Mr. Heston
A Testimony as an Image
Hearts of Darkness: A Filmmaker's Apocalypse
Remembering Jean Gabin
El precio de la risa
Jubilee: A Time Less Golden
Comrades in Dreams
Omnibus: François Truffaut
Counter Shot: Departure of the Filmmakers
Shine a Light
Mi Marilyn
Portrait of Carlos Saura
Morris Engel: The Independent
John Ford: The Man Who Invented America
Notes from Under the Volcano
Making 'The Shining'
His Name Was Jason: 30 Years of Friday the 13th
Bernardo Bertolucci: The Italian Traveler
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