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The film uses a collection of post-World War II black & white photographs to portray the dockworkers of Marseilles, many of whom were of African descent. Set in and around a 1947 strike protesting weapons shipments to the French in Indochina, the images evoke the life and work of Senegalese filmmaker, Ousmane Sembène, a former dockworker, and one of the founding figures of the New African Cinema of the 1960s. |
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Alienoid: The Return to the Future
Fight Club: Members Only
As
Return
Musangwe: Fight Club
Leopard Fight Club
Return
Return
Return
Shark Side of the Moon
Return
The Price We Pay
A Lure: Teen Fight Club
Star
Dragon Ball Z: The Return of Cooler
Insane Fight Club
Dragon Ball Z: Lord Slug
Rewind
Darkland: The Return
BTS: Yet to Come in Cinemas
Land Without Bread
A Day in Barbagia
El cielo es muy bonito
Roadliners
The Meaning of 1/24 Second
A Timeless Call
Learning Disabilities in Primary Care
At the Horizon
Replika
Deadtime Stories Documentary
Type III Sadness
The Arrival of a Train at La Ciotat
The Bridle On The Neck
Extremis
Die sind eben so
Death Day
Crazy for Lynn Lowry
Romero Was Here: Locating The Crazies
Landscape (for Manon)
Sonic Break |
