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The three main soloists have voices on a scale that can compete with these flashy production values – White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. Recorded live at the Salzburger Festspiele, 1999. |
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Verdi-Requiem mit Riccardo Muti
The Raft of the Medusa
I Pagliacci
Il Trovatore
Rigoletto
The Nutcracker
Handel: Xerxes (Serse)
Puccini: Tosca (Arena di Verona)
Rameau: Les Indes galantes
Sounds of Dortmund
La Gioconda - Opera Bruxelles
Ariodante
The Metropolitan Opera: Boris Godunov
Benvenuto Cellini
Mozart: Die Entführung aus dem Serail
Gounod: Faust
Don Pasquale
Il Trovatore
Verdi: Otello
Dardanus
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