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“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho |
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Object: Alimony
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Hunters
Air Force One Down
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On the Pulse
Six: Inside
Sasquatch Sunset
24 Hours with Gaspar
Maybe More
The Feeling That the Time for Doing Something Has Passed
Fremont
Island in Between
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Limbo
The Anonymous Venetian
Fitting In
El Pepe: A Supreme Life
The Successor
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