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In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot. |
The Cameraman
Weekends
Strike
LOL
Diary of a Pregnant Woman
Cries and Whispers
The Hoax
The Beaches of Agnès
The Savages
The Phantom of the Opera
BoOzy’ OS and the Cristal Gem
From the Life of the Marionettes
Wild Strawberries
Friends Jokes
The Bonfire of the Vanities
Harmonium
A Night at the Opera
The Killing Fields
Benny's Video
Black Sunday
Ladakh: The Lotus of the Himalaya
Blueberry Waggle Dance
The History of White People in America
Wonders of the Arctic
The Cars in Your Life
Blood and Fire
Roll-on Roll-off, lift-on lift off
No Father, No Mother
The 4%: Film's Gender Problem
Searching for Halifax NP711
Notes on the Circus
America; I Too
I, Apostate
Dream World
Confessions of a Time Traveler: The Man from 3036
Navras
Taekwondo: The Champions
The Whole Truth and Nothing but the Truth
Piet Bekaert
Yarali bashlar
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