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In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot. |
The Cameraman
Weekends
Strike
LOL
Diary of a Pregnant Woman
Cries and Whispers
The Hoax
The Beaches of Agnès
The Savages
The Phantom of the Opera
BoOzy’ OS and the Cristal Gem
From the Life of the Marionettes
Wild Strawberries
Friends Jokes
The Bonfire of the Vanities
Harmonium
A Night at the Opera
The Killing Fields
Benny's Video
Black Sunday
Notes on the Circus
Expiration
Night and Fog
Growing Girls
Digital Funeral: Beta Version
Spectrum
O Grande Amor de um Lobo
#Ya
Stravinsky
Attacking the Darkness
Borneo in de jungle van de Sarawak
Alice in Label Land
Hockey
Qu'est-ce que c'est?
David Gan: the Front Lines
The Statue of Giordano Bruno
Megalodon: The Monster Shark Lives
Kung Fu Elliot
Threshold
The Conclave and Election of Pope Pius XII
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